The great thing about historical fiction novel is because they take you to a period that was real as well as re-create it for us – opening up both exciting stories, plus also informing us of the particular history of the times, individuals and places – usually with precision and attention to famous fidelity.
The standard regarding writers in this variety make these books some of the top hype books you can read… basically as reading for pleasure or to get more info of times past in a fun way.
The variety is almost limitless – from the intimate to the epic – we are able to become intrigued through romance, unfettered ambition, murderous conspiracy, political manipulations, unbridled passions – and the humanity of the people who strode throughout history’s stage so much bigger than life – Pharaoh Rameses 11; Alexander the Great; Julius Caesar; Henry 11 and Eleanor of Aquitaine; Llewelyn associated with Wales; Mary, Queen involving Scots…. and so a lot more.
This is most especially the case with authors like Colleen McCullough and Sharon Kay Penman – the two who I consider tend to be ‘the’ exemplars of excellent writing, great historical research and also detail, marvelous depiction and endlessly exciting plotting and account.
Some are best offering books and others are usually little gems not necessarily widely known. Some are usually character driven (e.g. Julius Caesar), others centred on a locale as it grows throughout time.
Along with writers like these you happen to be wonderfully entertained, along with quietly educated as well.
Other great copy writers such as Mary Renault and Margaret George deliver alive great historic characters in realistic fiction and re-introduce these phones us who have trained of them in dry old history guides at school and University. They can make reading history an enjoyment.
Likewise, there are also traditional fiction writers whom use other centuries of history because settings for criminal offenses yarns – a few straight forward ‘whodunits’ (e.g.Lindsey Davis) and some with language in the cheek humor such as David Wishart.
Traditional fiction novels change not only in period or perhaps era, but in type, research and detail; with some mixing inside other genres at the same time – e.h. crime, romance, war and even fantasy. Historical fantasy is not a fictional device I specially like in historical fiction novel though. The mix of the element of fantasy within the story – is not always successful – however that may be a matter of style – and some do this well, others not too well. David Gemmell, Judith Tarr are two who do it well – but I have my personal doubts about Wilbur Smith’s venture into historical illusion (River God and so on), as I do much more so with Alfredia Jacq’s recreations of historic Egypt.
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